The Perspective Series
At its essence, the Perspective Series invites viewers into the captivating world of 3D perspective art, enticing them to engage with artwork from multiple vantage points. In today's society, we struggle to embrace diverse perspectives on life and its various facets. Often entrenched in our own viewpoints, we find it difficult to engage in meaningful conversations or connections with those who hold differing beliefs. It’s become an “us vs them” scenario.
Now, more than ever, there is a pressing need for unity, to dismantle these barriers and collectively perceive life through a kaleidoscope of perspectives and vantage points. The aspiration is that my art serves as an illuminating force, instilling this concept deep into the hearts of its viewers. Stemming from this idea, my pieces branch into diverse meanings. Some carry profound messages, such as the Acceptance or Impermanence pieces, while others are born from a simple desire to create or experiment.
From a procedural standpoint, my artistic process is firmly rooted in repetition and meditation. The journey begins with receiving silk unraveled from cocooned silk worms, each strand about as thin as hair. These strands are meticulously pulled from the hank, creating bundles of approximately 200 silk pieces. This delicate process is undertaken one to two pieces at a time to prevent tangling. Subsequently, the silk undergoes a dyeing process before being intricately strung into a shadowbox-like frame, each piece secured with a surgical knot. Upon completion, I may choose to leave the piece in its natural state or opt to apply glue to the knots and acrylic spray to the strands to preserve the silk, depending on the desired outcome for each individual piece.
The Wave, 2023
37x37x3” with frame
Silk, Velvet, Aluminum, LED Lights
"The Wave" was born from a dream where I envisioned crafting a blue wave using silk. Constructed with approximately 6000 feet of silk, this piece boasts intricacy with around 2000 individually placed strands, demanding approximately 100 hours of work to bring it to fruition. "The Wave" stands as my most silk-intensive creation to date.
44:4, 2022
25x25x3” with Frame
Silk, Velvet, Aluminum, LED Lights
44:4 emerged as an experiment, focusing on the interplay of colors took center stage without any predetermined intention or deeper meaning. The primary goal was to craft a vibrant composition rich in silk, serving as the culminating piece for my inaugural solo exhibition.
During the creation process, I arbitrarily selected a distance of 4 units between each column. As a result, I found myself with a total of 44 silk columns, stumbling upon an unintentional alignment with the recurring theme of fours. Upon delving into the significance, I discovered that the repetition of fours is often associated with a sense of complete support, safety, and being on the right path. The serendipity of this realization added an extra layer of meaning to the piece, which felt even more relevant as it was the final showcase for the exhibition.
SOLD
Find Your Center I, 2021
25x25x3” with frame
Silk, velvet, aluminum, LED Lights
"Find Your Center I" is a piece made for my mom. In a playful twist, I intentionally skewed the center line, half expecting her to be bothered by the imperfection. Surprisingly, she didn't notice at all. It's amusing how the imperfections that resonate loudly with me often escape the attention of those who engage with my work. This dynamic mirrors life itself—our personal imperfections scream at us, while others tend not to notice.
While the center line carries a deliberate asymmetry, the majority of the piece embodies a sense of "perfection." Delving into imperfections is a recurring theme in my work. As a self-professed perfectionist, embracing imperfections can be a source of discomfort and anxiety. Yet, purposefully incorporating imperfections into the piece serves as a cathartic release, easing the anxious undercurrents and adding depth to the artistic narrative.
SOLD
Find Your Center II, 2022
37x37x3” with frame
Silk, velvet, aluminum, LED lights
"Find Your Center II" marks a significant milestone as the first large scale creation in my perspective series, premiering at my first solo exhibition, "Mantra."
This piece features a remarkable 34 columns of silk, incorporating over 1200 individually placed strands—an equivalent of approximately 1 kilometer of silk. The deliberate arrangement of three distinct blue columns serves to divide the artwork into harmonious thirds. Similar to its predecessor, a playful deviation emerges as the central line is deliberately askew. This deviation adds an intriguing twist to an otherwise balanced structure, injecting a subtle element of surprise into the visual narrative.
SOLD
Mirror, 2021
13x13x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Mirror" was the first piece within the Acceptance sub-series, where I intentionally incorporate or leave broken strands of silk.
Crafted from a place of curiosity and fear in the future of my work, "Mirror" emerged as an artistic response to the lingering question: What happens to a piece when a strand of silk breaks? Despite the inherent strength of silk, the unknowns of its endurance over time—whether it breaks in 50, 100, or 1000 years—prompted this contemplative exploration. While I use acrylic spray to preserve select pieces, the unpredictability of silk's future presented a creative challenge.
The title of “Mirror” came from the concept of being a mirror and reflecting who one is, showing our imperfections while still embracing our beauty. Too often, people hold onto their imperfections instead of embracing them. Ram Dass spoke of this often. When one goes into a forest, and sees all the unique and different trees, one typically finds beauty in the uniqueness. Usually the most deformed trees or the trees that have weathered storms are the most beautiful. Yet, we do not ascribe to this with people. If they do not fit a certain criteria, they are ugly. My hope is that viewers obvserve this piece and find the beauty that lies within themselves and everyone.
SOLD
Acceptance I, 2023
25x13x3” with Frame
Silk, Velvet, Aluminum, LED Lights
"Acceptance I" falls within the Acceptance sub-series, a collection where broken or intentionally fragmented silk becomes an integral part of the artistic narrative. This particular piece emerged as a deeply personal exploration, originally conceived to symbolize the union between myself and my partner.
Drawing inspiration from our astrological identities—myself, a Cancer, represented by the element of water and the color blue, while my partner, an Aries, embodied the fiery essence with the color red—I aimed to visually encapsulate the intertwining of our beings, imperfections and all. The deliberate incorporation of broken silk strands served as a powerful metaphor, a reminder that imperfections, when interwoven, contribute to the creation of something inherently beautiful.
In crafting "Acceptance I," I sought to confront the challenge of acknowledging and embracing the flaws within ourselves and my relationship. Accepting imperfections, whether in art or in life, can be difficult. This piece became a therapeutic conduit, allowing me to navigate and embrace these nuances, particularly during the early stages of our relationship. The process of creating this work became a transformative experience, contributing to the strengthening of our connection through the shared recognition and acceptance of each other's unique imperfections.
Acceptance II, 2023
25x25x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Acceptance II" is apart of the Acceptance sub-series, characterized by the deliberate inclusion or creation of broken strands of silk. In this particular piece, a singular broken strand stands out, which I intentionally broke upon completing the piece. This deliberate choice has invoked strong reactions in viewers. Because the piece is mostly perfect, it seems more like an error than a choice.
The intentional inclusion of the broken strand serves as a powerful reminder to embrace imperfections. It sparks a dialogue on the subjective nature of perfection and challenges conventional notions of flawlessness in art. The piece becomes a provocative exploration of beauty within the imperfect, prompting viewers to question preconceived expectations.
Impermanence I, 2022
21x21x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Impermanence I" began as a perspective piece, born at the start of the Russia-Ukraine war. As an artist navigating a full-time job and a time-intensive art practice, the onset of the war triggered a wave of fear and existential questioning. The uncertainty prompted me to reflect on the purpose of creating art amid life's challenges.
In a bold move, I decided to create this piece and destroy it to serve as a symbolic release of the fears that I was facing. It was a conscious act of letting go and confronting the fear that had gripped me. Surprisingly, what emerged from this intentional act of destruction was a newfound beauty—unexpected and transformative.
The destruction of the piece and the subsequent revelation of its altered form became a metaphor for embracing impermanence. The initial fear of “what happens if the silk breaks?” gave way to an acceptance of the potential evolving nature of my work.
Impermanence II, 2023
21x21x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Impermanence II", like its predecessor, was initially complete perspective piece, a creation that underwent intentional destruction after production.
I initially intended to cut only the right half of the piece. However, in my pursuit of achieving a more consistent and even placement of the fabric I attach the silk to, I chose to first glue the fabric to the wood frame. This decision, aimed at refining the aesthetic, inadvertently altered the dynamics of the silk strands when I cut the piece. Unlike the upward shoot and tangling observed in Impermanence I, the strands hung in a more subdued manner upon cutting, creating an intriguing and unexpected visual effect. Because I loved the unexpected evolution of the piece, I proceeded to cut most of the other half, preserving a portion of the initial structure.
SOLD
Cognitive Distortion I, 2022
21x21x3” with Frame
Silk, Velvet, Aluminum, LED Lights
"Cognitive Distortion I" draws its inspiration from a moment shared by Sarah Silverman during one of her podcasts. In her recollection, Silverman spoke on an experience with her mother, a local theatre director, who was honored with a lifetime achievement award. Her recollection of the event was embarrassing and bothersome.
However, following her mother's passing, Silverman stumbled upon a video recording of the same event. To her surprise, revisiting the footage revealed an entirely different narrative. Witnessing her mother's joy and thriving in her element, Silverman recognized that her initial memory had been distorted by the mood she was in at the time of the event.
This story served as the catalyst for the creation of "Cognitive Distortion I." The artwork delves into the nature of memory and perception, highlighting the malleability of our recollections based on our emotional states. By capturing this concept visually, the piece invites viewers to reflect on the subjectivity of memory and the potential for distortion, emphasizing the importance of context and emotional perspective in shaping our understanding of past experiences.
Untitled White Piece I, 2022
13x13x3”
Silk, Velvet, Aluminum, LED Lights
The creation of this piece coincided with the creation of "Find Your Center II," driven by a dual purpose: to minimize waste of silk, and to experiment with a novel approach. I intially hid this piece for over a year, not showing it to anyone.
Upon finally unveiling the artwork and sharing it with others, the response was overwhelmingly positive. The hesitations were replaced with positive feedback. In an unexpected turn, this was the first to sell at The Other Art Fair in Brooklyn, selling even before the fair started.
SOLD
Prism I, 2023
21x21x3” with frame
Silk, Velvet, Aluminum, LED Lights
“Prism I” was a commission born after multiple rainbow pieces went viral and triggered an outpouring of “Dark Side of the Moon!” comments. A collector reached out and commissioned me to create an interpretation of the iconic Pink Floyd album cover.
The biggest challenge in this piece was having the white and dyed silk meet in the middle to create the illusion of white silk passing through a prism and splitting into a rainbow. Working through this piece allowed me to challenge myself and my practice, leading to a new technique in my practice.
SOLD
Untitled Rainbow I, 2023
25x13x3”
Silk, Velvet, Aluminum, LED Lights
"Untitled Rainbow I" holds a special place in my artistic journey as the first piece I implemented a rainbow pattern. The primary motivation behind its creation was a curiosity about how the colors would blend together at the center. However, what truly distinguishes this piece is the captivating phenomenon that occurs at the top of the piece where the colors converge. There was an unexpected result where they seamlessly blend and appear mostly white instead of each individual color.
Untitled Rainbow II, 2023
Driven by my expanding fascination with crafting rainbow pieces and experimenting with light spectrums, I embarked on the creation of “Untitled Rainbow II”.
SOLD
Interconnected I, 2022
"Interconnected" was born from the concept of two individuals mutually giving themselves fully to each other. Each color originates from opposite ends and intricately blends with the other, forming a captivating and harmonious pattern. This serves as a visual metaphor for the profound connection within a healthy partnership, symbolizing the act of both sides wholeheartedly and completely dedicating themselves to one another. The intertwining colors not only represent unity but also the beauty that arises when two distinct entities seamlessly merge.
SOLD
Interconnected II, 2023
"Interconnected II" was born from the concept of two individuals mutually giving themselves fully to each other. Each color originates from opposite ends and intricately blends with the other, forming a captivating and harmonious pattern. This serves as a visual metaphor for the profound connection within a healthy partnership, symbolizing the act of both sides wholeheartedly and completely dedicating themselves to one another. The intertwining colors not only represent unity but also the beauty that arises when two distinct entities seamlessly merge.
SOLD
Setting Intention I, 2021
13x13x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Setting Intention I" is apart of the Making Change sub-series, where the essence of transformation hinges on the deliberate act of setting an intention. Symbolically, I portray this process by altering the color of the silk column while keeping the pattern unchanged. It serves as a visual representation of the initial step in any significant change – the intentional decision to initiate the process.
The deliberate shift in color signifies the act of setting an intention, a conscious choice to embark on a transformative journey. However, it is essential to note that the pattern remains unaltered at this stage. The subsequent evolution of the pattern occurs in tandem with the actual implementation of change, as depicted in pieces like "Making the Change, Indecisiveness."
SOLD
Setting Intention II, 2022
13x13x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Setting Intention II" is apart of the Making Change sub-series, where the essence of transformation hinges on the deliberate act of setting an intention. Symbolically, I portray this process by altering the color of the silk column while keeping the pattern unchanged. It serves as a visual representation of the initial step in any significant change – the intentional decision to initiate the process.
The deliberate shift in color signifies the act of setting an intention, a conscious choice to embark on a transformative journey. However, it is essential to note that the pattern remains unaltered at this stage. The subsequent evolution of the pattern occurs in tandem with the actual implementation of change, as depicted in pieces like "Making the Change, Indecisiveness."
“Setting Intention II” Is also the first piece where I implemented and experimented with a horizontal element.
SOLD
Making the Change I, 2021
13x13x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Making the Change I" takes its place within the Making Change sub-series, serving as a significant chapter in the visual narrative of transformation. This piece symbolizes the critical juncture where an intention, marked by a color change in the silk column while maintaining the pattern, transitions into tangible change—a break in the established pattern.
Inspired by my personal journey into sobriety, this artwork mirrors the arduous process of making a substantial, positive shift in life. The depiction of setting the intention, where the color shifts but the pattern endures, resonates with the moments of contemplation and decision-making. The subsequent break in the pattern signifies the courageous leap into actualizing change—a reflection of the challenges and efforts involved in making transformative decisions.
In essence, "Making the Change I" becomes a visual testament to the complexities of change, drawing from personal experiences of setting intentions, overcoming fears, and embracing the courage required to embark on a journey of positive transformation.
SOLD
Making the Change II, 2023
25x13x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Making the Change II" takes its place within the Making Change sub-series, serving as a significant chapter in the visual narrative of transformation. This piece symbolizes the critical juncture where an intention, marked by a color change in the silk column while maintaining the pattern, transitions into tangible change—a break in the established pattern.
Inspired by my personal journey into sobriety, this artwork mirrors the arduous process of making a substantial, positive shift in life. The depiction of setting the intention, where the color shifts but the pattern endures, resonates with the moments of contemplation and decision-making. The subsequent break in the pattern signifies the courageous leap into actualizing change—a reflection of the challenges and efforts involved in making transformative decisions.
In essence, "Making the Change II" becomes a visual testament to the complexities of change, drawing from personal experiences of setting intentions, overcoming fears, and embracing the courage required to embark on a journey of positive transformation.
SOLD
Indecisiveness I, 2022
25x25x3” with frame
Silk, Velvet, Aluminum, LED Lights
"Indecisiveness" forms an integral part of the Making Change sub-series, delving into the nuanced aspects of transformation. Within this visual narrative, the setting of an intention is symbolized by the color change in the silk column, while the pattern remains constant. This represents the initial commitment to change.
However, the piece focuses on the common challenge of indecisiveness or falling out of a newly established habit or major life change. When such setbacks occur, there's a need to reset the intention and go through the process of reinitiating the change all over again.
Inspired by my personal journey into sobriety, this artwork reflects the intricate process of making substantial positive shifts in life. The struggles with indecisiveness, the effort required to reset intentions, and the ultimate courage needed to initiate actual change are woven into the visual narrative. "Indecisiveness" serves as a poignant reminder of the continuous effort and resilience required in the journey of personal growth and transformation.
SOLD
Changing Course I, 2022
25x13x3” with Frame
Silk, Velvet, Aluminum, LED Lights
Changing Course I conceptualizes a transformation as the columns of silk undergo a deliberate shift, transitioning from one direction and pattern to reset in another. Despite the change, the artwork remains steadfast in honoring the original intention.
Axis of Symmetry I, 2020
13x13x3” with frame
Silk, Velvet, Aluminum, LED Lights
The Axis of Symmetry sub-series was conceived while listening to a Maggie Rogers song aptly titled "Symmetry." Within the song, a poignant line resonated deeply: "bleeding on the axis of symmetry," igniting the spark for the creation of this sub-series.
Axis of Symmetry II, 2022
25x13x3” with frame
Silk, Velvet, Aluminum, LED Lights
The Axis of Symmetry sub-series was conceived while listening to a Maggie Rogers song aptly titled "Symmetry." Within the song, a poignant line resonated deeply: "bleeding on the axis of symmetry," igniting the spark for the creation of this sub-series.
Axis of Symmetry III, 2023
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
SOLD
Axis of Symmetry IV, 2023
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
SOLD
Axis of Symmetry V, 2023
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
SOLD
Axis of Symmetry VI, 2023
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
Axis of Symmetry VII, 2023
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
Axis of Symmetry VIII, 2023
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
Axis of Symmetry X
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
SOLD
Axis of Symmetry XI
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
Axis of Symmetry XII
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
SOLD
Axis of Symmetry XIII
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
SOLD
Axis of Symmetry XIV
13x13x3” with frame
Silk, velvet, aluminum, LED Lights
SOLD
Intercept I, 2021
13x13x3” with frame
Silk, Velvet, Aluminum
"Intercept I" is the first piece I created in my Perspective Series. At the heart of "Intercept I” a red line intercepting the columns, purposefully breaking the established pattern. Within this composition, four out of the six columns of silk are halted in their tracks, frozen in a moment of disruption.